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Measure Audio Quality Like Radar Detector Range

May 6, 2020 By Dave MacKinnon

Audio Quality

If you have taken part in any online discussions about radar detectors, then you know that manufacturers, retailers and so-called experts are extremely passionate about the brands they support. Countless tests, both scientific and anecdotal, extol the features, sensitivity and false-alarm rejection performance of a half-dozen key brands. Each test brings with it another heated debate about test criteria, conditions, software updates and the testers’ purported and, in some cases, stated biases. As an outsider who has never used a radar detector (they are illegal here), it’s fun to watch everyone argue. Each time it happens, I think to myself, why don’t car audio manufacturers, retailers and enthusiasts want similar comparisons of source units, amplifiers, speakers and processors?

Audio Quality
Our friend Jason Ewing of “Pimp My Ride” fame on the cover of Car Audio and Electronics magazine.

The Good Old Days of Car Audio Magazines

Decades ago, the car audio industry had four main magazines: Car Audio and Electronics, Car Stereo Review, Auto Sound & Security, and Car Sound. Most of us had subscriptions to all four publications and waited anxiously each month to see cool new builds, read technical articles and check out product test reports and comparisons.

Audio Quality
Auto Sound & Security Magazine Cover
Audio Quality
Neal Batson sent us some photos of the February 2008 issue of Auto Sound & Security that featured his 1998 Volkswagen Jetta

For audio components, comparisons are easy. Testing an amplifier under controlled conditions isn’t difficult. Stable supply voltage and load impedances, combined with test data from hardware like the Audio Precision System One, made comparing power production, noise and distortion characteristics easy.

What were the drawbacks of comparison tests? Well, someone has to win and someone has to lose. For the winner, they were pretty much guaranteed increased sales. For the products that didn’t fare as well in the comparisons, retailers would be forced to focus on the specific features that or positive comments, and avoid areas where other products performed better.

Audio Quality
The problem with comparison tests is that only one product can win.

Now that all of the North American car audio magazines are gone, all we have left are blog posts and YouTube videos. Nobody is making comparisons, and very few are still reviewing products with any semblance of technical measurement. Car & HiFi magazine from Germany is still producing great product reviews. Frankly, I miss that.

Audio Quality
A few car audio magazines. Photo supplied by William Jeffrey Jones

Why Do Measurements Matter?

In the ’80s, ’90s and early 2000s, car audio enthusiasts would spend countless hours comparing the specifications of the products they wanted to buy. Amp distortion, efficiency and power ratings, source unit tuner sensitivity and selectivity, and pre-amp voltage and output impedance all mattered to consumers. They may not have understood the absolute value of each number, but they knew what was mediocre, good or great.

Armed with enough information, you could get a very good idea of the quality of a product. Consumers would gravitate toward those that performed well, and as a result, their audio systems would sound better for it.

What happened to this philosophy? Why don’t numbers seem to matter? SPL enthusiasts eat up YouTube power production test videos like they are candy. Sadly, those videos don’t do anything to quantify the quality of the products being tested. Sound quality enthusiasts have very little tangible information available to compare source units, processors, amplifiers and, worst of all, speakers and subwoofers.

Audio Quality
Thanks to the CTA-2006-B standard, car audio amplifier power specifications are, for those companies that support the test criteria, comparable. In the “old days” we used to joke about ILS power. ILS stood for “if lightning struck.”

Who among you has seen a distortion graph for a speaker? They are relatively easy to create, and they can tell you a lot about the characteristics of a driver and its suitability for a specific application. Even high-end home audio magazines like Stereophile excel at electronic measurements but fall short on speaker evaluation. Their speaker reviews include frequency response, directivity, spectral decay (which are quite useful) and impedance graphs. Sadly, no distortion graphs are created.

Speaker distortion graphs can highlight non-linearities in suspension design and motor design and resonances in the cone, dust cap and surround. All of these characteristics add unwanted information to the audio signal and detract from the clarity of the listening experience.

Audio Quality
Mike Ingram sent us this great shot of his car audio magazine collection.

Misleading Marketing Makes Shopping Difficult

There was a short time where online reviews by product supposed owners were a great source of information. The feedback wasn’t technical but offered a glimpse into the real-world experience with a product. Sadly, paid reviews have ruined the reliability of this information. Reviews are so polarized that it’s hard to know what to trust.

Car audio retailers are stuck in a strange position. It’s very rare that a single shop in a city carries what is measurably the best of every solution. They may offer a line of speakers that’s outstanding, but because of an agreement with another shop in the same city, they don’t offer the best source units, amplifiers or processors. One saving grace in this is that unlike home audio equipment, how car audio products are installed and configured plays a significant role in the overall performance of the sound system. A car stereo shop that takes acoustics into account during the design process will likely deliver something that sounds better than a shop that only cares about what the installation looks like.

Audio Quality
Paid reviews, companies that provide Facebook followers and bogus information from retailers have made it harder to trust online product reviews.

Since the chances of car audio component manufacturers agreeing to head-to-head testing are slim, the outlook for my dream of having technically complete product reviews dwindles day by day. It frustrates me that car audio manufacturers, retailers and enthusiasts don’t focus on performance, but would rather buy products highlighted in paid-promotion YouTube videos.

If you’re searching for the best car audio products for your vehicle, do yourself a favor and learn how to understand the specifications that are provided. Your audio system will thank you, and so will your ears!

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Filed Under: ARTICLES, Car Audio Tagged With: Audio Precision, Auto Sound & Security, Car Audio and Electronics, Car Sound, Car Stereo Review, Stereophile Magazine

About Dave MacKinnon

Dave has worked in the mobile electronics industry since 1988 in almost every capacity, including roles as a Retail Salesperson, Installer, Sales Representative, Technical Trainer, and Product Development Manager for some of the largest car audio companies in the world. Dave started his writing career in 2000 as the Technical Editor of a Toronto-based car audio magazine and has reviewed more than 450 products. Formally trained as an Electronics Technician, Dave is considered an industry expert when it comes to explaining how mobile audio components work and has crafted thousands of articles to share that knowledge. He’s currently the Head Writer for 1sixty8 media and the Editor-in-Chief at BestCarAudio.com

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